VFX Breakdown | MAKING OF Freeze the World

VFX Breakdown, MAKING OF, Freeze the World ,  Bleed VFX Studio , video , 3d max, fusion , nuke , how to , images, wallpaper

Watch how Bleed VFX created Freeze effect for ads “Freeze the World”. Bleed VFX Studio Specialize in Creating physical and dynamic simulations for 3D visualization reaching high quality FX. Below is the Final video & after that is the Making of Freeze th world .

Video | Freeze the World

COORS LIGHT - FREEZE THE WORLD from Bleed VFX Studio on Vimeo.

VFX Breakdown | MAKING OF Freeze the World

MAKING OF Freeze the World from Bleed VFX Studio on Vimeo.

Agency: Bromley
Director: Seba Lopez
3D & Postproduction: Bleed VFX
VFX Supervisor: Paolo Cavalieri
Production: Shooters Films USA

VFX breakdown | Game of Thrones Season 4 | Rodeo FX

VFX breakdown, Game of Thrones, Season 4,  Rodeo FX, VFX , 3D , matte painting, video, making of , wallpaper, poster, images

Rodeo FX is proud to present some of the amazing VFX work they created for Game of Thrones. Along with other world-class VFX studios, Rodeo FX was rewarded with the prestigious 2014 Emmy Award for Outstanding Special and Visual Effects.

VFX breakdown | Game of Thrones Season 4 |  Rodeo FX

Game of Thrones, Season 4 – VFX breakdown from Rodeo FX on Vimeo.

Montreal-based VFX studio Rodeo FX joined the prestigious team of Game of Thrones and created more than 150 visual effects shots for the fourth season of this acclaimed TV series. Broadcasted by HBO, the 10-episode series reached its peak with a breathtaking finale that aired on June 15, 2014. Week after week, Game of Thrones reaches more than 7 million viewers in United States only, a record audience.

VFX Breakdown | Making of Riddick

VFX Breakdown, Making of,  Riddick, Vin Diesel, CG , images, wallpaper, poster, cover

Here is the VFX breakdown video from the movie Riddick by Mokko Studio .

VFX Breakdown | Making of Riddick

Making of Riddick from MokkoStudio on Vimeo.

Spider-man 3 | Facial Capture Animation Process

Remington, Thomas Haden Church, Sandman, Eddie Brock, Venom, James Franco, Harry Osborne , Goblin, Spider-man 3, Facial Capture Animation , making, vfx, behind the scenes , wallpaper, video , poster

Remington supervised and directed performance capture sessions featuring Thomas Haden Church (Flint Marko / Sandman), Topher Grace (Eddie Brock / Venom) and James Franco (Harry Osborne / Goblin) for "Spider-man 3".

In the 'Birth of Sandman' sequence, Remington worked closely with Animation Supervisor Spencer Cook and Character Setup TD Brian Burks to ensure that the erosion of facial features did not remove Thomas Haden Church's expressiveness that was key to conveying the characters emotional state.

Spider-man 3 | Facial Capture Animation Process

Spider-man 3 Facial Capture Animation Process from Remington Scott on Vimeo.

Utilizing clips of performance capture from actor Thomas Haden Church that were recorded before principle photography began, Remington sampled elements of a calibrated library of muscle and facial motion in order to modify the performance for director Sam Raimi's approval. Although timing and actions were recombined and sampled into a new performance, the facial motion retained it's essential uniqueness of Thomas Haden Church's muscle actions, which allowed his personality to 'read' through the digital sand simulated character.

The facial pipeline for "Spider-man 3", including rigging and animation was overseen by Remington.
The Sony Imageworks FACS pipeline was integrated as a secondary system to punch up facial detail such as furrows, wrinkles and deformations where markers didn't exist.

Behind the Scenes of R.I.P.D.

Behind the Scenes of R.I.P.D. , VFX , making , cars , sets , Hollywood sets , news , movies , stars , wallpaper, poster, photos

This is a behind the scenes inside look of "R.I.P.D." (2013)

Behind the Scenes of R.I.P.D.

Enjoy the behind the scenes inside look featurette and if you like it consider that you might also like to Subscribe  our website Blog

Cars 2 | Animation Progression | storyboard to final frame

Disney Pixar posted Cars 2 Animation Progression. The road from storyboard to a fully animated, shaded frame.

 Progression Image 1 - Storyboard

for First, for any animation clip, start with storyboard, so you know where the characters will be placed

Cars 2, Animation Progression, storyboard, final frame, Disney Pixar, layout, animation, shader, wallpaper, poster, news

Progression Image 2 - Layout

Next place all the 3d sets and 3d characters in their place in the 3D software, so you are set to animate the 3D characters. And also do the lighting setup.

Cars 2, Animation Progression, storyboard, final frame, Disney Pixar, layout, animation, shader, wallpaper, poster, news

Progression Image 3 - Animation

With the Characters placed on their places and the builds or objects are set to the places in Layout, You can now animate the characters.

Cars 2, Animation Progression, storyboard, final frame, Disney Pixar, layout, animation, shader, wallpaper, poster, news

Progression Image 4 - Shader

At this step, you put the characters with their Shaders or texture and also for other objects in the scene or set

Cars 2, Animation Progression, storyboard, final frame, Disney Pixar, layout, animation, shader, wallpaper, poster, news

Final Frame

At this stage to Render the frame in different frames and later composite them in a compositing package/software. Then you get your final image/frame

Cars 2, Animation Progression, storyboard, final frame, Disney Pixar, layout, animation, shader, wallpaper, poster, news

Framestore | Wrath of the Titans | Jonathan Fawkner

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 Visual Effects Supervisor Jonathan Fawkner talks about the visual effects Framestore did on Wrath of the Titans.

from the Art of VFX article:

How was the collaboration with director Jonathan Liebesman?
JL as we called him to distinguish him from JF (me) was fairly easy to work with. He had a pretty good idea about what he wanted to see and how he wanted it to look. He had established an aesthetic for the movie and he was always wanting it to look filthy, which of course we had anticipated so we had plenty of cg dirt and dust on hand to chuck into the mix. That would generally make him happy. But that aesthetic also affected shot selection and camera style which we were careful to try to replicate in our full 3d shots. He and the editor were generally happy to receive suggestion, during the shoot and in post which makes the whole process more collaborative.

Framestore, Wrath of the Titans, Jonathan Fawkner, VFX, article, news, making, movie, wallpaper, poster, cover

 How was the collaboration with Production VFX Supervisor Nick Davis?

This time around Nick Davis was 2nd unit director as well as VFX supervisor, so that brought a new perspective on things. He needed to rely more heavily on me for one thing in his absence, but it also meant he had a deep understanding of how the shots were conceived, and had more influence on the look and feel of the movie. He and Rhonda Gunner and the whole team were fun to work with and it felt like a really positive joint effort.

Framestore, Wrath of the Titans, Jonathan Fawkner, VFX, article, news, making, movie, wallpaper, poster, cover

Framestore, Wrath of the Titans, Jonathan Fawkner, VFX, article, news, making, movie, wallpaper, poster, cover

 What have you done on this movie?

We were responsible for the sequence involving 3 cyclops that chase and fight with Perseus. We also took on the Labyrinth, involving a huge rock tower, a mechanical doorway, and the ever moving and collapsing interior.

Framestore, Wrath of the Titans, Jonathan Fawkner, VFX, article, news, making, movie, wallpaper, poster, cover

Framestore, Wrath of the Titans, Jonathan Fawkner, VFX, article, sets, news, making, movie, wallpaper, poster, cover

Framestore, Wrath of the Titans, Jonathan Fawkner, VFX, article, sets, news, making, movie, wallpaper, poster, cover

Framestore, Wrath of the Titans, Jonathan Fawkner, VFX, article, sets, news, making, movie, wallpaper, poster, cover

DreamWorks Animation | Alex the Lion has 2288 individual controls | Madagascar 3

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DreamWorks Animation,

has posted on their facebook page, saying that in Madagascar 3: Europe's Most Wanted, Alex the Lion has about 2288 individual controls to allow the animators to position him into any conceivable pose. Looks like the riggers for the movie Madagascar 3: Europe's Most Wanted had a hard time rigging the characters.

It's Technology Tuesday here at DreamWorks Animation! Alex the Lion from our upcoming film Madagascar 3: Europe's Most Wanted is such an expressive character, that he has 2288 individual controls to allow the animators to position him into any conceivable pose!

News Say that there will be two Smiths giving voice over for the movie Madagascar 3: Europe's Most Wanted. We already know Jada Pinkett Smith is giving one voice over, but this time her daughter too has a character voice over.

Avengers Epic Effects | Battle for NYC | ILM

Robert Downey, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Tom Hiddleston, Avengers, assemble, trailer, poster, wallpaper, cover, vfx, cg

Industrial Light and Magic has pulled out all the stops for the mind blowing visual effects of The Avengers. ILM, created New York, in full CG, as it was hard to shoot in the Biggest city in the world and with the action scenes .

Jeff White,  visual effects supervisor for ILM, takes us through the video.

Most of this destructive battle was shot on the streets of Cleveland (which has less restrictive rules on pyrotechnics) and a green-screen stage in New Mexico.

ILM then combined these elements with detailed panoramic imagery of the buildings and streets surrounding the Viaduct.

Using techniques similar to Google’s Street View, ILM crews shot super-high-resolution, 360-degree images of the immediate area, first at 100 feet above ground level, and then hanging from rooftops.

Once these images were assembled in a virtual environment, additional elements were added to bring the scene to life:  animated cabs, drifting smoke and even computer-generated building interiors.

Simulated explosions, shattering windows and crumbling concrete were all rigged to react to the impact of the characters as they smash into and through the scenery.

Avengers Epic Effects | Battle for NYC | ILM

This video is by The Daily.

Tangled | Character Design Development

Video, Tangled Ever After, The Rings, wallpaper, poster, cover, animation, Disney, movies

Here are some Character Design Development drawings for Tangled . I found them online on characterdesignnotes.

For the 1st character, we start  with Rapunzel. The Main character in the movie Tangled , with very long and magical Hair. This are expression sheets of Rapunzel for the animated movie Tangled .

Rapunzel, character designs, expression sheets, tangled, drawing, wallpaper, poster, photo, animation

Rapunzel, character designs, expression sheets, tangled, drawing, wallpaper, poster, photo, animation

Rapunzel, character designs, expression sheets, tangled, drawing, wallpaper, poster, photo, animation

The next Main character for the movie Eugene also know as Flynn Rider or Fitzherbert.He had alot of expression in the movie Tangled . He had to run alot. also fight.

Eugene, Flynn Rider, Fitzherbert, character designs, expression sheets, tangled, drawing, wallpaper, poster, photo, animation

Eugene, Flynn Rider, Fitzherbert, character designs, expression sheets, tangled, drawing, wallpaper, poster, photo, animation

Eugene, Flynn Rider, Fitzherbert, character designs, expression sheets, tangled, drawing, wallpaper, poster, photo, animation

And here are some more character designs or expression sheets for the characters in movie Tangled . Like Mother Gothel, the Horse the King in the movie Tangled, and some animals.

Mother Gothel, character designs, expression sheets, tangled, drawing, wallpaper, poster, photo, animation

Mother Gothel, character designs, expression sheets, tangled, drawing, wallpaper, poster, photo, animation

Mother Gothel, character designs, expression sheets, tangled, drawing, wallpaper, poster, photo, animation

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Queen, character designs, expression sheets, tangled, drawing, wallpaper, poster, photo, animation

Going to end the artical in a video By Disney. The video is about creating Tangled World and also Creating the Look of character in Tangled and also the sets

A Tangled World: Creating the Look

Video | Digital Domain using V-Ray in Real Steel | Blake Sweeney

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Digital Domain takes us behind the scenes of Real Steel. Lead Lighting Artist Blake Sweeney tells us all about how they used V-Ray to light and render all the Oscar-nominated VFX action Movie. A Video by ChaosGroupTV

Video | Digital Domain using V-Ray in Real Steel | Blake Sweeney

Making of Red Bull BC One | 2011

Making, Red Bull BC One, 2011, behind the scenes, Mate Steinforth, Berlin Breakers, wallpaper, poster, cover

A behind the scenes look at how Mate Steinforth and his Berlin Breakers designed and produced this fly announcement trailer in 2011.

Red Bull BC One 2011 – Director’s Cut

Power vs. style - an international b-boying contest offers plenty character inspiration to drool upon. Mate Steinforth and his Berlin Breakers designed and produced this fly announcement trailer in 2011. Watch the 2012 DC version now.

Making of | Red Bull BC One 2011

Client: Red Bull GmbH, Austria

Agency: Kastner & Partners, Frankfurt
Creatives: Thomas Gessner
Production Company: Sehsucht Berlin GmbH & Co. KG
Director: Mate Steinforth
Art Direction: Philipp Brömme, Helge Kiehl
Design: Mate Steinforth, Christian Zschunke, Ronny Schmidt, Julius Brockelmann, Jonas Littke
3D: Philipp Brömme (lead), Vitaly Grossmann, Ronny Schmidt
Animation: Matthias Knappe, Lars Krüger
2D Animation: Helge Kiehl, Philipp Rudler
Compositing: Helge Kiehl, Christina Agapitou, Christian Zschunke
Producer: Julia Rudloff, Christian Gemeiner
Music & Sound Design: Michael Fakesch

BreakDowns | The Making of UFC Evolution | Digital Domain

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The above image is of  Digital Domain.

Here's a breakdown of the elements Digital Domain  used to create the new UFC show opener, "Evolution".James Atkinson  served as VFX Supervisor, with Neil Huxley directing and Karl Denham as CG supervisor (full list below). The process began with rotoscoping archival footage to create mattes for the fighters (some of which standard def and quite old). They then previzualized CG action to fit the fight moments and build a narrative of destruction and creation. Compositing the fighters to fit in this new environment was a painstaking process involving hundreds of FX and CG elements.

BreakDowns | The Making of UFC Evolution ( the owner of the video disabled posting video Watch it HERE )

The DD crew:
Karl Denham CG Supervisor
Kait Boehm Senior Producer
William Lemmon Producer
Fred Fouquet Editor
Ash Thorp Art Director
Derek Crosby Rigger
Michael Lori Data Integration
Jon Aghassian Data Integration
Jesse James Data Integration
Carlos Pedroza Animator, Previs Artist
John Niehuss Digital Artist
Daniel Buck Digital Artist
Keith weilmuester Roto Artist
Marlan Harris Roto Artist
Dawrath Phoue Roto Artist
Eric Ebeling FX Artist
Dennis Blakey FX Artist
Kurt Lawson Nuke Compositor
Kevin Bouchez Nuke Compositor
Guatama Murcho Nuke Compositor
Jeff Heusser Flame Artist

VFX | Compositing | Nuit Blanche

The making of the award winning "Nuit Blanche" a video posted by Spy Films. A high level composting  work by spy films.

Making Of Nuit Blanche

Directed by: Arev Manoukian

Produced by: Stephanie Swedlove & Arev Manoukian
VFX by: Marc-Andre Gray
Music by: Samuel Bisson
Starring: Michael Coughlan & Megan Lindley
Cinematographer: Arev Manoukian
Casting: Jeff Marshall
Assistant Director: Andrew Cividino
Production Designer: Arev Manoukian & Marc-Andre Gray
Art Director / Costumes - Dan Levy
Camera Operator: Jay Pavao
Camera Assistant: Max Armstrong
Gaffer: Alan Poon
Editor: Arev Manoukian
Compositor / Animator: Marc-Andre Gray
Effects Supervisors: Marc-Andre Gray & Arev Manoukian
Additional Compositing: Arev Manoukian
Matte Painter: Pat Lau
Colourist: Andre Chlebak

Nuke | Deep Compositing | Rise of the Planet of the Apes

Nuke, Deep Compositing, Rise of the Planet of the Apes, wallpaper, poster, making, cg, vfx, apes

Deep Compositing was introduced in NUKEX 6.3. Here Robin Hollander takes us through Weta Digital's ground breaking use of the technology on Rise of the Planet of the Apes. If you're a bit confused about the benefits of Deep Compositing, this video shows them very clearly. It will leave you itching to get cracking with it on your next project!

Nuke | Deep Compositing | Rise of the Planet of the Apes

Deep Compositing in Rise of the Planet of the Apes from Hieronymus Foundry on Vimeo.

GDC 2012 | Enhancing Performance Capture | Ubisoft Far Cry 3 using Autodesk MotionBuilder

GDC 2012, Enhancing Performance Capture, Ubisoft, Far Cry 3, Autodesk MotionBuilder, wallpaper, poster, cover, logo, game

A presentation by Ubisoft Montreal’s Technical Director Marc Beaudoin on enhancing performance capture on Ubisoft Far Cry 3 using Autodesk MotionBuilder.

GDC 2012: Enhancing Performance Capture on Ubisoft Far Cry 3 using Autodesk MotionBuilder

Video | Making | Halo 4 | First Look

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Take a first look at Halo 4 in action as this video takes you behind the scenes with the developers at 343 Industries. Enjoy your first in-game look at the Master Chief, the updated Battle Rifle, and the exciting multiplayer spaces coming your way holiday 2012.

 Video | Making | Halo 4 | First Look

Video | Bringing Alien Worlds to Life in 'John Carter'

Video, Bringing, Alien Worlds, Life, John Carter, walllpaper, poster, cover, video, breakdowns, vfx, cg, making

Still left to watch the movie, But some friends say the story of  John Carter the movie is quiet bad, but says the VFX is kickass or in better words the Best on screen till now.

TheDaily posted a video on youtube about Bringing Alien Worlds to Life in 'John Carter' John Carter. Were they got some behind the scenes, greens screen. Some VFX breakdowns for the moving city in the John Carter movie.

Video | Bringing Alien Worlds to Life in 'John Carter'

It might seem odd to picture a mile-long city crawling along the surface of Mars, if not for the 12-foot tall barbarians, fantastic environments and exotic creatures also featured in Andrew Stanton’s “John Carter.”

The new Disney/Pixar film tells the story of a Civil War veteran transported to Mars in Stanton’s first live-action effort after directing the classics “Wall-E” and “Finding Nemo.”

Hundreds of visual effects shots were required to bring Edgar Rice Burroughs’ series — written in the early 1900s — to the screen, thanks to artists at Double Negative, Cinesite, MPC and Nvizible.

Cinesite animated complex computer-generated geometry, including 674 legs, to create the walking city known as Zodanga, which moves along Mars as a giant mining machine.

The visual effects team also placed live-action actors shot against green screens inside Zodanga, and then added in scores of details such as towers, tents, tables, dust, flying ships and even motion-captured city-dwellers.

“This was big, big scale,” Cinesite production director Courtney Vanderslice told The Daily, “and the challenge really was, can we render it and actually get it through the pipeline?”

Breakdowns | Red Tails | VFX | 2012

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A month back or 2, I have posted 2 post related about ILM | Recreating WW2 Dogfights | Red Tails | Video and also Red Tails | 2012 | Trailer 3 | HD. And now we got anyother video. Showing indepth of the VFX done in the film and the studios working together to the correct color tone also. Yea thats how we VFX artist do it.

ILM, Recreating, WW2 Dogfights, Red Tails, Video, wallpaper, poster, trailer, cover, movie, vfx, making, cg, plane, man

 Red Tails, Has alot of details, i mean a really a lot. Studios like the main one is ILM and others like Pixomondo working together for Red Tails. And yea, also catch some animatics in the vide.

Red Tails | VFX | Movie Magic | Breakdowns

Making | The Hobbit | Production Video 1

Making, The Hobbit, Production Video 1, cg, sets, hollywood, wallpaper, poster, cover, news, movie

The Hobbit is an upcoming two-part epic fantasy film directed by Peter Jackson. It is a film adaptation of the 1937 novel of the same name by J. R. R. Tolkien and a prequel to The Lord of the Rings film trilogy. Jackson, director of The Lord of the Rings, returns as director of the film and also serves as producer and co-writer.

Check out the video below of the first Production Video from the set of The Hobbit.  more to come soon

The Hobbit | Production Video #1 | HD